Order! Order!

Good evening! I’m back again after having briefly forgotten I have a blog!

Anyway my latest writing woe is all down to the order of my chapters.

Now I know what you’re thinking. You’re thinking surely they just go in order, one after the other? And indeed I would agree with you. Except the way I am writing this particular novel (this is not to be read in any tone that would imply that I am at all familiar with writing novels, nor that I have written or am currently writing more than one!) it’s not quite that simple.

You see I am an ordered soul. I like things to be ordered. I like things to line up, to fit snugly, to create a pattern. This was the plan for my chapters. I have three protagonists, so it only made sense to me that I would dedicate a chapter to each of them in turn. First would come character A, then B, then C, then back to A and so on and so forth.

It worked well enough for a long time. Then I started noticing that a bit more was happening with one character than another, and I had less to write for character A than for character C at certain points. It wasn’t a huge problem at first, as I simply combined the next two chapters for character A into one (and at first draft I didn’t have to worry about fleshing anything out, it all seemed fine).

But then the timelines began to creep apart, but I figured I could deal with that fairly easily at second draft so I didn’t let it slow me down. But then I wrote myself into a corner. I finished character C on a cliffhanger that not only meant the start of the next chapter would continue immediately from that moment (I’d already had that occur but it was fine to leave them and come back after we’d spent time with the other characters), but really it needed to happen in the next chapter otherwise the marrying up of timelines would seriously begin to suffer.

So, I made the decision to scrap the ABCABC system and just write it as it needs to be written. This is both daunting because it means there’s no more ‘pattern’ for me to follow, which makes me uncomfortable, but also it feels quite liberating and I’m excited to get writing the next chapter (which I had planned to do this evening but it’s quite late and I’m tired so I realised it would be a good opportunity to fire off a quick blog post! Oh if only I could write my novel as quickly as I can write this!).

Fingers crossed when I get some people reading through it they don’t complain about the order of the chapters! If they do I might have to pull some hair out! Early feedback (merely of asking the question) indicates that it won’t bother people, so fingers crossed!

Hope your writing is going well!

Everyone’s a Critic

Hello!

It looks like it’s been a couple of months since I last blogged which isn’t ideal but I’m not going to make a big thing about it. I remember reading a blog post about blogging no-no’s and one of them was the ‘Oh my gosh it’s been so long since I blogged!’ post, so this isn’t going to be one of those. Of course I can’t exactly ignore the fact that it has been a while… but we’ll just move on like old friends.

So, things have been pretty good for me writing-wise actually. There was of course my competition win at the end of last year which was a huge boost. I have yet to crack open the bottle of champagne I won, but I’ll get round to that soon enough I’m sure! I also celebrated with my writing teacher and fellow alumni of our evening class!

Another part of the prize was to have up to 1000 words of a work in progress critiqued by WriteStars, and this past Friday I finally got round to submitting the first section of a short story I have been writing for the past couple of weeks. To say I am excited about this is a huge understatement, though I’m not sure quite why I’m so looking forward to hearing back from them! They may well tear it to pieces, but let’s hope that’s not the case.

There were a few reasons I decided to send them the short story instead of an extract my my novel. The first was that 1000 words from my novel will only really amount to a quarter of a chapter and I felt it would not give them enough of a taste for the story to appreciate context, characters etc. Conversely, what I have sent them will probably amount to over a quarter of the finished short story, so their comments should help make it a good one (and I plan to enter it into another competition! See what I did there?!).

Having said that, while I had told myself that I was confident I would be able to apply a lot of their comments to my writing and style in general, and therefore use it in consideration against my novel, it did occur to me yesterday that the style of my novel is vastly different to the short story so it may not be so applicable. Still, at the end of the day I am getting a free critique on something I’ve written and I’m still very excited to hear back from them!

As for the novel itself, it is going well also. I finished my procrastination project of writing a chapter by chapter outline of the entire story and have really enjoyed getting started again. I’ve written four chapters and will be starting chapter five perhaps even today! Plus the extra little writing class our teacher arranged at our request are critiquing an extract from the novel this week so I will be getting feedback from everyone in the class which I’m sure will also be very helpful!

Onward and upward as they say!

Battling The Tide of Change

Hello again and my apologies for being somewhat on the quiet side recently! Unfortunately I am not in a position to write as and when I please, having committed myself to working one of those pesky things we call a job, in order to earn money to pay off the inordinate amount of debt I have accumulated since deciding that we did in fact want to live in a house we could call our own. That job has been somewhat hectic as of late, and a lot of the rest of my free time has been taken up with other things.

Still, here is what I have done in the world of writing since last we met.

  • I entered my first short story competition! A 250 word ‘Supernatural’ flash fiction under the prompt ‘otherworldliness’. 
  • I’ve also a near final draft for another short story competition which I will be sending off in the next few days, under the prompt ‘Dark Matters’ (can you sense a theme to the way my mind works??)
  • Finally I have been up and down and round and about with my bloody novel… which is what this blog post is really about.

I really hope I’m not the only one who fixates on details of their story to the point of self sabotage?! Please say I’m not.

Here’s how I seem to work:

  1. Have idea
  2. Start writing
  3. Feel pleased
  4. Write more
  5. Hit a plot point that needs examination/explanation
  6. Come up with an amazing back story to explain the plot point
  7. Realise the back story negates some of what I’ve written, but decide it’s worth pursuing
  8. Go back to 2.

After a few iterations of this I realised the following: that I was now miles away from my original idea (but kept telling myself this is what being creative is like and everyone probably does it), that I was basically writing myself in an outward spiral, creating ever more complex threads, and that every time I came up with a new idea it conflicted with someone else I’d set up which either required changing or scrapping.

Yesterday I decided enough was enough. Coming up with an amazing back story I’m NOT going to write, does not help me with a  novel I AM going to write! I’ve realised that I need to stop having ‘ideas’ and focus on the story I first wanted to write. Yes, I’ll still make a few changes, but I think I let myself get carried away and was making things far too complicated for myself.

So, I’m going to do two things. The first is that I’m going to go back to basics and make sure I know where I’m going this time. The second is that I’m going to scrap the pen and paper and write on my iPad. I’ve realised that the paper option for me is feeling too much like ‘notes’ as it’s harder to keep track of what I’ve actually written. I think the urge to edit while typing will be less of an issue that constantly changing my mind which is what I have been doing!

I’ve still got a few things to iron out in my ‘back to the original idea’ plan, but I already feel like it’s a more coherent story idea than the wild and wonderful things my brain was coming up with, without bothering to check how they would fit in with what I already had!

If you’re a writer and you’ve experienced this (particularly in Fantasy where you really can go off the deep end!) I would love to hear how you’ve dealt with it!

Until next time… wish me luck!

Losing the Plot

Something I have struggled with recently is the feeling that I am constantly second guessing myself. That no matter what idea I can come up with, there is a better one lurking around the corner. This has seriously hindered my writing progress.

Most recently, I was trying to work through a couple of logical gaps in my story. Ideas I had had that needed just a bit more work to mould them into useable threads. I spent a long time just sitting and thinking and came up with a few things to explain the ideas I wanted to use. This was great. I was really pleased with what I’d come up with. The problem was that if I had chosen to follow through with them, it meant I was 40,000 words into my second book, with not a single word of the first written anywhere. This was a rather daunting prospect.

So I did some more thinking, talked to my wife a bit about it and came up with some alternatives which I’m now happy with. The problem now is that having stalled with the writing a little, I’m now suffering the dreaded conviction that my entire story is a boring pile of crap. Which brings me all the way back to second guessing myself on the whole thing.

I keep telling myself ‘a finished draft is better than a perfect draft’ and to give me credit, I’m planning to do some writing this weekend, but I wonder how often other writers do this? Do they constantly criticise their plot before even giving it the courtesy of getting it down on paper? 

I’m sure I’m not alone, so I’ll just keep repeating that mantra ‘finished is better than perfect’!

You’re The Voice (Try and Understand It)

Something I, and I think many inexperienced authors struggle with is narrative voice.

It can be difficult to decide not only which to use in the first place, but also to realise how it can limit (and obviously be used to work for) your story and how easy it can be to trip up and do it wrong! From the very beginning I knew I wanted to write my story in 3rd person, though it wasn’t until I took a creative writing course that I really learned that there were actually different versions of 3rd person narrative. The differences aren’t difficult to understand, but sometimes when you get into the finer details of what is and what is not permissible, it can get quite confusing! At least for me!

I am writing my novel in 3rd person limited (sometimes called 3rd person close). I won’t go into too much detail as there are much better resources out there for this kind of thing, but for anyone unaware what this means, it describes narration from the 3rd person perspective (he/she) whereby the point of view is limited to one character. Thus the reader is only aware of what that one character experiences. Alternatively 3rd person omniscient allows the point of view to be ‘all-knowing’ so the reader can experience events (and thoughts etc.) from anyone and everyone’s perspective.

My main reasons for choosing a limited perspective was that it allows me to hold information back from the reader by having events occur or knowledge fall outside of their perspective until such time as I want to reveal them. Also to be blunt, the omniscient narrative has very much fallen out of favour and is not currently a popular device.

Now, I have erred on the side of caution when writing so far, but I must admit I have often found myself wondering (and no doubt overthinking!) just how limited I am supposed to keep things! 

The obvious stuff is easy: if my character is in a soundproof room, I cannot describe the conversation between the two assassins outside the door, no matter how exciting I think it might be for my reader to know something my character does not (and that for me is where the frustration lies I think!). Nor can I have my character discuss their favourite ice cream with someone,  for them to agree that Ben & Jerry’s Phish Food had got to be in the top 5, only to tell my reader that the other person is secretly lying, hates ice cream and is therefore some kind of sick demon. I can say my character suspects they might be lying, by the odd way their eyes wince whenever the gooey caramel and marshmallow are mentioned, or the eerie whispered screams they hear from within the strangely heavy overcoat they are wearing in mid July, but they can’t know it and so neither can the reader.

But where I sometimes struggle and get worried I’m doing it all wrong is the sort of in between stuff. The adjectives, adverbs etc. I might use in my dialogue for example:

‘Who would have thought we’d end up in a blog post!’ MC said to the stranger by his side.

‘Who indeed.’ Replied the stranger with a knowing smile.

Can I say that? Would anyone really recognise a knowing smile? Or is it enough that, because my character is present, I can add that sort of detail that they may not be explicitly aware of? That’s the sort of thing I get confused about! Can my reader know that the smile is knowing without my character being able to tell? Maybe my character wasn’t even looking at the stranger at that moment and missed the smile anyway, in which case do I remove all visual descriptions?! I’ve struggled to find any ‘rules’ that go into this level of detail and frankly I’m beginning to worry that the more I obsess over it the more it will negatively impact my writing.

So, dear reader, if you have any thoughts or experiences on the matter I would very much like to hear them!